


I'm proud to say that I've made out during all three albums. (Also I've had full on sex during the last.)












It is 1986, and aspiring actor Edward Zannie has been kicked out of drama school for being "too jazz hands for Julliard." Mortified, Edward heads out into the urban jungle of eighties New York City and finally lands a job as a "party motivator" who gets thirteen-year-olds to hand at bar mitzvahs and charms businesspeople as a "stealth guest" at corporate events. When he accidentally gets caught up in insider trading with a handsome stockbroker named Chad, only the help of his crew from How I Paid for College can rescue him from a stretch in Club Fed.
Laced with the inspried zaniness of classic American musical comedy, Attack of the Theater People matches the big hair of the eighties with an even bigger heart.
So, remember, read How I Paid For College first and THEN Attack of the Theater People. Then also stop whatever it is you are doing and go watch All About My Mother. And then possibly Get Real because Acito's Paula = Get Real's Linda.
Voters in Oregon OK tax hikes for some
Corporations and wealthy families are targeted to help ease the state's budget crisis.
By Kim Murphy January 27, 2010
Facing a budget crunch that threatened to close schools early, lay off teachers and slash healthcare benefits, Oregon voters ended two decades of tax scrimping Tuesday by approving higher taxes on corporations and wealthy families.
The two ballot measures passed handily in a referendum watched closely around the country as a signal of whether voters are ready to approve targeted tax hikes to bail out cash-starved state treasuries.
Oregon voters since 1990 have limited property taxes, rejected sales taxes and vetoed across-the-board income taxes. But with 87% of the ballots counted, the measure to raise income taxes on households earning more than $250,000 a year, and individuals earning more than $125,000, was winning with 54.1%. A second measure to raise the state's corporate income tax was ahead with 53.6%.
Business leaders had fought the measures, arguing that they would drive away entrepreneurs and force struggling businesses to slash jobs.
The two measures would raise more than $700 million to help close a gap in the state budget that at one point reached $4 billion.
Kevin Looper, who ran the campaign to pass the measures, said the vote was a signal that predictions of a general conservative retrenchment following the Republican victory in this month's Senate race in Massachusetts were premature.
"I think this is firmly a progressive, populist moment. It just takes leaders to stand up and say what we're about, and make sure things are clear to voters," he said. "Because when the choice gets made clear like that, voters will almost always make the right decision."
Looper said the credit goes to Democratic leaders in the Legislature, who passed the tax increases against nearly unanimous Republican opposition.
"It was an amazingly courageous thing for the Legislature to say, 'We're going to both protect schools and make a case for tax fairness by keeping the burden off middle-class families,' " he said.
Opponents gathered signatures to force the referendum.
Supporters, backed by public employee unions, raised $6.8 million, compared with $4.6 million by opponents who relied on the banking industry and business groups. Final financial reports have yet to be filed.
"The biggest issue is we were substantially outspent by the public employee unions. They were able to double, and more than that, the money we were spending on the broadcast media, and were able to get that much more of their message out," said Pat McCormick, spokesman for Oregonians Against Job-Killing Taxes.






Girls at War is a collection of short stories written by Achebe between 1952 and 1972, covering his years at University College, Ibadan up through the years of war for Biafran independence. The last two stories of the collection "Sugar Baby" and "Girls At War" are from 1972 and deal specifically with the deprivations and degradations of that war.
"Girls at War" is the story of Reginald Nwankwo, Ministry of Justice, who through three meetings with a particular girl, describes the change from fervent Revolutionary focus to fervent desire for survival. Nwankwo meets a young girl (all women are called "girls" throughout the story) at a checkpoint who does a thorough search of his vehicle. He can tell that she is a young woman "whose devotion had simply and without self-rightousness convicted him of gross levity. What were her words? We are doing the work you asked us to do." Two years later he meets her again, but this time she is a "kept" woman in expensive high heels, a wig, and a lowcut dress. However, much of the Nwankwo's interactions with "Gladys," as she calls herself, seem rather onesided and projected: her words, he claims, are full of levels of meaning, but he neither asks nor does she offer. Nwankwo projects a whole life onto her and after sleeping with her decides that he would have been better off with a prostitute; however, by the next day he decides to try and save her.
5 For:
5 Against:
