Acclaimed as a “gifted, courageous writer”(The New York Times), Chris Adrian brings all his extraordinary talents to bear in The Great Night—a brilliant and mesmerizing retelling of Shakespeare’s “A Midsummer Night’s Dream.”
On Midsummer Eve 2008, three people, each on the run from a failed relationship, become trapped in San Francisco’s Buena Vista Park, the secret home of Titania, Oberon, and their court. On this night, something awful is happening in the faerie kingdom: in a fit of sadness over the end of her marriage, which broke up in the wake of the death of her adopted son, Titania has set loose an ancient menace, and the chaos that ensues will threaten the lives of immortals and mortals alike.
Selected by The New Yorker as one the best young writers in America, Adrian has created a singularly playful, heartbreaking, and humorous novel—a story that charts the borders between reality and dreams, love and magic, and mortality and immortality.
With praise from such authors as Stephenie Meyer and Audrey Niffenegger on its cover (though Simon Pegg has something to say as well), I don't hold much hope for this book, but given this is possibly a heterosexual on Otto, or Up With Dead People, I'll give it a chance.
R is a young man with an existential crisis—he is a zombie. He has no memories, no identity, and no pulse, but he has dreams. His ability to connect with the outside world is limited to a few grunted syllables, but his inner life is deep, full of wonder and longing.
After experiencing a teenage boy's memories while consuming his brain, R makes an unexpected choice that begins a tense, awkward, and stragely sweet relationship with the victim's human girlfriend. Julie is a blast of color in the otherwise dreary and gray landscape that surrounds R. His choice to protect her will transform not only R, but his fellow Dead, and perhaps their whole lifeless world.
Scary, funny, and surprisingly poignant, Warm Bodies explores what happens when the cold heart of a zombie is tempted by the warmth of human love.
It is 1968. Lynnie, a young white woman with a developmental disability, and Homan, an African American deaf man, are locked away in an institution, the School for the Incurable and Feebleminded, and have been left to languish, forgotten. Deeply in love, they escape, and find refuge in the farmhouse of Martha, a retired schoolteacher and widow. But the couple is not alone-Lynnie has just given birth to a baby girl. When the authorities catch up to them that same night, Homan escapes into the darkness, and Lynnie is caught. But before she is forced back into the institution, she whispers two words to Martha: "Hide her." And so begins the 40-year epic journey of Lynnie, Homan, Martha, and baby Julia-lives divided by seemingly insurmountable obstacles, yet drawn together by a secret pact and extraordinary love.
In a stately West Village townhouse, a wealthy socialite and her secretary are murdered. In the 24 hours that follow, a flurry of activity circles around their shocking deaths: The head of one of the city's last tabloids stops the presses. A cop investigates the killing. A reporter chases the story. A disgraced hedge fund manager flees the country. An Iraq War vet seeks revenge. And an angry young extremist plots a major catastrophe.
The City is many things: a proving ground, a decadent playground, or a palimpsest of memories-a historic metropolis eclipsed by modern times. As much a thriller as it is a gripping portrait of the city of today, TABLOID CITY is a new fiction classic from the writer who has captured it perfectly for decades.
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living - and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters - losers, cheaters, and ne'er-do-wells from all stripes of life - and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.