There were very few new things that came in today, but we got all kinds of replacement titles, so tonight I provide you the crème de la crème of those.
An iconic novel dressed in a fierce design by acclaimed fashion illustrator Ruben Toledo. See the other titles in the couture-inspired collection: Jane Eyre, The Picture of Dorian Gray, Dracula, The Scarlet Letter and Pride and Prejudice.
Ruben Toledo’s breathtaking drawings have appeared in such high-fashion magazines as Vogue, Harper’s Bazaar, and Visionaire. Now he’s turning his talented hand to illustrating the gorgeous deluxe editions of three of the most beloved novels in literature. Here Elizabeth Bennet’s rejection of Mr. Darcy, Hester Prynne’s fateful letter “A”, and Catherine Earnshaw’s wanderings on the Yorkshire moors are transformed into witty and surreal landscapes to appeal to the novels’ aficionados and the most discerning designer’s eyes.
For the actual plot, watch this...
Emma, the comic and sharply observed story of young Emma Woodhouse's education in life, is regarded by many as Jane Austen's most perfect novel. Introduced to the reader as "handsome, clever, and rich," Emma Woodhouse is also a spoiled, meddling matchmaker--Austen's most flawed, and possibly most endearing heroine. Her fourth published novel, and the last to appear before her death, this lively comedy of manners is the work of an incisive writer at the height of her powers. Jane Austen is a renowned Regency novelist. Her other works include Pride and Prejudice, Persuasion, Northanger Abbey, and Sense and Sensibility.
When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships,gossip and snobberies of provincial middle-class life.
The two above titles are part of a series of cloth-bound Penguin Classics that I'm absolutely in love with!
One of Time’s 100 best novels in the English language — by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis’s “London Trilogy,” along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis’s shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan’s America and Margaret Thatcher’s England.
Money is the hilarious story of John Self, one of London’s top commercial directors, who is given the opportunity to make his first feature film—alternately titled Good Money and Bad Money. He is also living money, talking money, and spending money in his relentless pursuit of pleasure and success. As he attempts to navigate his hedonistic world of drinking, sex, drugs, and excessive quantities of fast food, Self is sucked into a wretched spiral of degeneracy that is increasingly difficult to surface from.
A captivating read from a debut novelist, Brick Lane brings the immigrant milieu of East London to vibrant life. With great poignancy, Ali illuminates a foreign world; her well-developed characters pull readers along on a deeply psychological, almost spiritual journey. Through the eyes of two Bangladeshi sisters -- the plain Nazneen and the prettier Hasina -- we see the divergent paths of the contemporary descendants of an ancient culture. Hasina elopes to a "love marriage," and young Nazneen, in an arranged marriage, is pledged to a much older man living in London.
Ali's skillful narrative focuses on Nazneen's stifling life with her ineffectual husband, who keeps her imprisoned in a city housing project filled with immigrants in varying degrees of assimilation. But Ali reveals a bittersweet tension between the "two kinds of love" Nazneen and her sister experience -- that which begins full and overflowing, only to slowly dissipate, and another which emerges like a surprise, growing unexpectedly over years of faithful commitment. Both of these loves have their own pitfalls: Hasina's passionate romance crumbles into domestic violence, and Nazneen's marriage never quite reaches a state of wedded bliss.
Though comparisons have drawn between Ali and Zadie Smith, a better comparison might be made between this talented newcomer and the work of Amy Tan, who so deftly portrays the immigrant experience with empathy and joy.
Originally written in 1952 but not published till 1985, Queer is an enigma-both an unflinching autobiographical self-portrait and a coruscatingly political novel, Burroughs' only realist love story and a montage of comic-grotesque fantasies that paved the way for his masterpiece, Naked Lunch. Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges, a maniacal mix of self- lacerating humor and the ugly American at his ugliest.
A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining fertility, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now…
Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.
Sadly, instead of the above iconic cover, we got the Everyman's Hardcover edition with this horrible, little-thought-out cover.
In his startling, witty, and inexhaustibly inventive first novel — first published in 1986 and now reissued as a Grove Press paperback — the author of Vox and The Fermata uses a one-story escalator ride as the occasion for a dazzling reappraisal of everyday objects and rituals. From the humble milk carton to the act of tying one’s shoes, The Mezzanine at once defamiliarizes the familiar world and endows it with loopy and euphoric poetry. Nicholson Baker’s accounts of the ordinary become extraordinary through his sharp storytelling and his unconventional, conversational style. At first glance, The Mezzanine appears to be a book about nothing. In reality, it is a brilliant celebration of things, simultaneously demonstrating the value of reflection and the importance of everyday human human experiences
Nick Naylor likes his job. In the neo-puritanical nineties, it's a challenge to defend the rights of smokers and a privilege to promote their liberty. Sure, it hurts a little when you' re compared to Nazi war criminals, but Nick says he' s just doing what it takes to pay the mortgage and put his son through Washington's elite private school St. Euthanasius. He can handle the pressure from the antismoking zealots, but he is less certain about his new boss, BR, who questions whether Nick is worth $150,000 a year to fight a losing war. Under pressure to produce results, Nick goes on a PR offensive. But his heightened notoriety makes him a target for someone who wants to prove just how hazardous smoking can be. If Nick isn' t careful, he' s going to be stubbed out.
Influenced by the melodrama of the contemporary theater and the popular gothic novels of the time, Louisa May Alcott weaves a tale far removed from the reality of her everyday life in Boston. With a charm reminiscent of Jane Austen's novels, The Inheritance sets love and courtesy against depravity and dishonor - and with the help of a secret inheritance, allows virtue to prevail.
This is the story of a lie that became the most powerful kind of truth. A timeless novel as urgently compelling as War Day or Alas, Babylon, David Brin's The Postman is the dramatically moving saga of a man who rekindled the spirit of America through the power of a dream, from a modern master of science fiction.
He was a survivor--a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war. Fate touches him one chill winter's day when he borrows the jacket of a long-dead postal worker to protect himself from the cold. The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.
When a passenger check-in desk at London's Heathrow Airport disappears in a ball of orange flame, the explosion is deemed an act of God. But which god, wonders holistic detective Dirk Gently? What god would be hanging around Heathrow trying to catch the 3:37 to Oslo? And what has this to do with Dirk's latest--and late-- client, found only this morning with his head revolving atop the hit record "Hot Potato"? Amid the hostile attentions of a stray eagle and the trauma of a very dirty refrigerator, super-sleuth Dirk Gently will once again solve the mysteries of the universe…
This is Adams' sequel to Dirk Gently's Holistic Detective Agency.
The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender.
Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction.