“My name’s Henry Dudlow. I’m fifteen and a half. And I’m cursed. Or damned. Take your pick. The reason? I see demons.”
So begins the latest novel by horror master Dave Zeltserman. The setting is quiet Newton, Massachussetts, where nothing ever happens. Nothing, that is, until two months after Henry Dudlow’s 13th birthday, when his neighbor, Mr. Hanley, suddenly starts to look…different. While everyone else sees a balding man with a beer belly, Henry suddenly sees a nasty, bilious, rage-filled demon.
Once Henry catches onto the real Mr. Hanley, he starts to see demons all around him, and his boring, adolescent life is transformed. There’s no more time for friends or sports or the lovely Sally Freeman — instead Henry must work his way through ancient texts and hunt down the demons before they steal any more innocent children. And if hunting demons is hard at any age, it’s borderline impossible when your parents are on your case, and your grades are getting worse, and you can’t tell anyone about your chosen mission.
A very scary novel written with verve and flashes of great humor, The Boy Who Killed Demons is Dave Zeltserman’s most accomplished and entertaining horror novel yet.
Sexy, racy, hilarious, and even moving, The Indifference League is a story of what happens when the starry-eyed optimism of the Greatest Generation crashes into the obsessions and fears of the New Lost Generation.
Under the faded banner of Superman, Wonder Woman, and other heroes past steps the Indifference League: The Statistician, Time Bomb, Hippie Avenger, SuperKen, SuperBarbie, Miss Demeanour, Mr. Nice Guy, Psycho Superstar, The Drifter, and The Stunner. All archetypes of Generations X and Y, they are here to show us just how much things have changed.
Sex and love. Religion and politics. Left and Right. Right and Wrong. Can anyone be a hero in an age where the lines are so blurred? When they meet again at The Hall of Indifference for a long weekend together, The Indifference League will fight to find out. Or not.
Thirteen hilarious, moving, and beautifully brutal stories by David Gordon, the award-winning author of Mystery Girl and The Serialist.
In these funny, surprising, and touching stories, Gordon gets at the big stuff—art and religion, literature and madness, the supernatural, and the dark fringes of sexuality—in his own unique style, described by novelist Rivka Galchen as “Dashiell Hammett divided by Don DeLillo, to the power of Dostoyevsky—yet still pure David Gordon.”
Gordon's creations include ex-gangsters and terrifying writing coaches, Internet girlfriends and bogus memoirists, Chinatown ghosts, and vampires of Queens. “The Amateur” features a cafe encounter with a terrible artist who carries a mind-blowing secret. In the long, beautifully brutal title story, a man numbed by life finds himself flirting with and mourning lost souls in the purgatory of sex chatrooms. The result is both unflinching and hilarious, heartbreaking and life-affirming.
The definitive biography of the great soldier-statesman by the New York Times bestselling author of The Storm of War
Austerlitz, Borodino, Waterloo: his battles are among the greatest in history, but Napoleon Bonaparte was far more than a military genius and astute leader of men. Like George Washington and his own hero Julius Caesar, he was one of the greatest soldier-statesmen of all times.
Andrew Roberts’s Napoleon is the first one-volume biography to take advantage of the recent publication of Napoleon’s thirty-three thousand letters, which radically transform our understanding of his character and motivation. At last we see him as he was: protean multitasker, decisive, surprisingly willing to forgive his enemies and his errant wife Josephine. Like Churchill, he understood the strategic importance of telling his own story, and his memoirs, dictated from exile on St. Helena, became the single bestselling book of the nineteenth century.
An award-winning historian, Roberts traveled to fifty-three of Napoleon’s sixty battle sites, discovered crucial new documents in archives, and even made the long trip by boat to St. Helena. He is as acute in his understanding of politics as he is of military history. Here at last is a biography worthy of its subject: magisterial, insightful, beautifully written, by one of our foremost historians.
From an acclaimed African writer, a novel about family, freedom, and loyalty.
When Bella learns of the murder of her beloved half brother by political extremists in Mogadiscio, she’s in Rome. The two had different fathers but shared a Somali mother, from whom Bella’s inherited her freewheeling ways. An internationally known fashion photographer, dazzling but aloof, she comes and goes as she pleases, juggling three lovers. But with her teenage niece and nephew effectively orphaned – their mother abandoned them years ago—she feels an unfamiliar surge of protective feeling. Putting her life on hold, she journeys to Nairobi, where the two are in boarding school, uncertain whether she can—or must—come to their rescue. When their mother resurfaces, reasserting her maternal rights and bringing with her a gale of chaos and confusion that mirror the deepening political instability in the region, Bella has to decide how far she will go to obey the call of sisterly responsibility.
A new departure in theme and setting for “the most important African novelist to emerge in the past twenty-five years” (The New York Review of Books) Hiding in Plain Sight, is a profound exploration of the tensions between freedom and obligation, the ways gender and sexual preference define us, and the unexpected paths by which the political disrupts the personal.
This sensitive and compelling biography sheds new light on John Singer Sargent s art through an intimate history of his family. Karen Corsano and Daniel Williman focus especially on his niece and muse, Rose-Marie Ormond, telling her story for the first time. In a score of paintings created between 1906 and 1912, John Singer Sargent documented the idyllic teenage summers of Rose-Marie and his own deepening affection for her serene beauty and good-hearted, candid charm. Rose-Marie married Robert, the only son of Andre Michel, the foremost art historian of his day, who had known Sargent and reviewed his paintings in the Paris Salons of the 1880s. Robert was a promising historian as well, until the Great War claimed him first as an infantry sergeant, then a victim, in 1914. His widow Rose-Marie served as a nurse in a rehabilitation hospital for blinded French soldiers until she too was killed, crushed under a bombed church vault, in 1918. Sargent expressed his grief, as he expressed all his emotions, on canvas: He painted ruined French churches and, in Gassed, blinded soldiers; he made his last murals for the Boston Public Library a cryptic memorial to Rose-Marie and her beloved Robert. Braiding together the lives and families of Rose-Marie, Robert, and John Sargent, the book spans their many worlds Paris, the Alps, London, the Soissons front, and Boston. Drawing on a rich trove of letters, diaries, and journals, this beautifully illustrated history brings Sargent and his times to vivid life."
Longlisted for the 2014 National Book Award
Gathered here is a half century’s magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets.
Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.
No matter how beautiful some dreams are, there comes a time when we must let them go.
It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand. In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future.
Take the format of a spy thriller, shape it around real-life incidents involving international terrorism, leaven it with dark, dry humor, toss in a love rectangle, give everybody a gun, and let everything play out in the outer reaches of upstate New York—there you have an idea of Brock Clarke’s new novel, The Happiest People in the World.
Who are “the happiest people in the world”? Theoretically, it’s all the people who live in Denmark, the country that gave the world Hans Christian Andersen fairy tales and the open-face sandwich. But Denmark is also where some political cartoonists got into very unhappy trouble when they attempted to depict Muhammad in their drawings, which prompted protests, arson, and even assassination attempts.
Imagine, then, that one of those cartoonists, given protection through the CIA, is relocated to a small town in upstate New York where he is given a job as a high school guidance counselor. Once there, he manages to fall in love with the wife of the high school principal, who himself is trying to get over the effects of a misguided love affair with the very CIA agent who sent the cartoonist to him. Imagine also that virtually every other person in this tiny town is a CIA operative.
The result is a darkly funny tale of paranoia and the all-American obsession with security and the conspiracies that threaten it, written in a tone that is simultaneously filled with wonder and anger in almost equal parts.
In a new novel from the best-selling author of The Hearts of Horses and The Jump-Off Creek, a young ranch hand escapes a family tragedy and travels to Hollywood to become a stunt rider.
In 1938, nineteen-year-old ranch hand Bud Frazer sets out for Hollywood. His little sister has been gone a couple of years now, his parents are finding ranch work and comfort for their loss where they can, but for Bud, Echol Creek, where he grew up and first learned to ride, is a place he can no longer call home. So he sets his sights on becoming a stunt rider in the movies — and rubbing shoulders with the great screen cowboys of his youth.
On the long bus ride south, Bud meets a young woman who also harbors dreams of making it in the movies, though not as a starlet but as a writer, a real writer. Lily Shaw is bold and outspoken, confident in ways out of proportion with her small frame and bookish looks. But the two strike up an unlikely kinship that will carry them through their tumultuous days in Hollywood — and, as it happens, for the rest of their lives.
Acutely observed, Falling from Horses charts what was to be a glittering year in the movie business through the wide eyes and lofty dreams of two people trying to make their mark on the world, or at least make their way in it. Molly Gloss weaves a remarkable tale of humans and horses, hope and heartbreak, narrated by one of the most winning narrators ever to walk off the page.