A Week of Books
From the Pulitzer Prize winning and bestselling author of The Making of the Atomic Bomb the remarkable story of the Spanish Civil War through the eyes of the reporters, writers, artists, doctors, and nurses who witnessed it. The Spanish Civil War inspired and haunted an extraordinary number of exceptional artists and writers, including Pablo Picasso, Joan Miro, Martha Gellhorn, Ernest Hemingway, George Orwell, and John Dos Passos. The idealism of the cause - defending democracy from fascism at a time when Europe was darkening toward another world war - and the brutality of the conflict drew from them some of their best work: Guernica, For Whom the Bell Tolls, Homage to Catalonia, The Spanish Earth.
The war spurred breakthroughs in military and medical technology as well. New aircraft, new weapons, new tactics and strategy all emerged in the intense Spanish conflict. Indiscriminate destruction raining from the sky became a dreaded reality for the first time. Progress also arose from the horror: the doctors and nurses who volunteered to serve with the Spanish defenders devised major advances in battlefield surgery and front-line blood transfusion. In those ways, and in many others, the Spanish Civil War served as a test bed for World War II, and for the entire twentieth century.
From the life of John James Audubon to the invention of the atomic bomb, readers have long relied on Richard Rhodes to explain, distill, and dramatize crucial moments in history. Now, he takes us into battlefields and bomb shelters, into the studios of artists, into the crowded wards of war hospitals, and into the hearts and minds of a rich cast of characters to show how the ideological, aesthetic, and technological developments that emerged in Spain changed the world forever.
Funny Girl takes place in a swinging 60s where the nation is mesmerized by unlikely comedy star Sophie Straw, the former Blackpool beauty queen who just wants to make people laugh, like her heroine Lucille Ball. Behind the scenes, the cast and crew are having the time of their lives. But when the script begins to get a bit too close to home, and life starts imitating art, they all face a choice.
The writers, Tony and Bill, comedy obsessives, each harbour a secret. The Oxbridge-educated director, Dennis, loves his job but hates his marriage. The male star Clive, feels he’s destined for better things. And Sophie Straw, who’s changed her name and abandoned her old life, must decide whether to keep going, or change the channel…
Propelled into the priesthood by a family tragedy, Odran Yates is full of hope and ambition. When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to “the good.”
Forty years later, Odran’s devotion is caught in revelations that shatter the Irish people’s faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy’s mother.
But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.
A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.
An exuberant, expansive cataloging of the intimate physical relationship between a reader and a book
A way to leave a trace of us, who we were or wanted to be, what we read and could imagine, what we did and what we left for you.
Readers of physical books leave traces: marginalia, slips of paper, fingerprints, highlighting, inscriptions. All books have histories, and libraries are not just collections of books and databases but a medium of long-distance communication with other writers and readers.
Letter to a Future Lover collects several dozen brief pieces written in response to library ephemera—with “library” defined broadly, ranging from university institutions to friends’ shelves, from a seed library to a KGB prison library—and addressed to readers past, present, and future. Through these witty, idiosyncratic essays, Ander Monson reflects on the human need to catalog, preserve, and annotate; the private and public pleasures of reading; the nature of libraries; and how the self can be formed through reading and writing.
Single, Carefree, Mellow is that rare and wonderful thing: a debut that is superbly accomplished, endlessly entertaining, and laugh-out-loud funny.
Maya is in love with both her boyfriend and her boss. Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal.
In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him.
In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.
Mega-bestselling author Daniel Handler (aka Lemony Snicket) gives us his long-awaited and most ambitious novel yet: a dark, rollicking, stunningly entertaining human comedy.
A boat has gone missing. Goods have been stolen. There is blood in the water. It is the twenty-first century and a crew of pirates is terrorizing the San Francisco Bay.
Phil is a husband, a father, a struggling radio producer, and the owner of a large condo with a view of the water. But he’d like to be a rebel and a fortune hunter.
Gwen is his daughter. She’s fourteen. She’s a student, a swimmer, and a best friend. But she’d like to be an adventurer and an outlaw.
Phil teams up with his young, attractive assistant. They head for the open road, attending a conference to seal a deal.
Gwen teams up with a new, fierce friend and some restless souls. They head for the open sea, stealing a boat to hunt for treasure.
We Are Pirates is a novel about our desperate searches for happiness and freedom, about our wild journeys beyond the boundaries of our ordinary lives.
Also, it’s about a teenage girl who pulls together a ragtag crew to commit mayhem in the San Francisco Bay, while her hapless father tries to get her home.
Set in a near-future LA, a man falls in love with a beautiful android—but when she is kidnapped and sold piecemeal on the black market, he must track down her parts to put her back together.
Bad luck for Eliot Lazar, he fell in love with an android, a beautiful C-900 named Iris Matsuo. That’s the kind of thing that can get you killed in late 21th century Los Angeles or anywhere else for that matter – anywhere except the man-made island of Atlantis, far out in the Pacific, which is where Eliot and Iris are headed once they get their hands on a boat. But then one night Eliot knocks on Iris’s door only to find she was kidnapped, chopped up, sold for parts.
Unable to move on and unwilling to settle for a woman with a heartbeat, Eliot vows to find the parts to put Iris back together again—and to find the sonofabitch who did this to her and get his revenge.
With a determined LAPD detective on his trail and time running out in a city where machines and men battle for control, Eliot Lazar embarks on a bloody journey that will take him to edge of a moral precipice from which he can never return, from which mankind can never return.
In the vein of Blade Runner, Love in the Age of Mechanical Reproduction is a scifi love story that asks the question, how far will you go to save someone you love?
She has been hailed by Michael Chabon as "the most darkly playful voice in American fiction"; by Neil Gaiman as "a national treasure"; and by Karen Russell as "Franz Kafka with a better understanding of ladies' footwear and bad first dates." Now Kelly Link's eagerly awaited new collection--her first for adult readers in a decade--proves indelibly that this bewitchingly original writer is among the finest we have.
Link has won an ardent following for her ability, with each new short story, to take readers deeply into an unforgettable, brilliantly constructed fictional universe. The eight exquisite examples in this collection show her in full command of her formidable powers. In "The Summer People," a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In "I Can See Right Through You," a onetime teen idol takes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In "The New Boyfriend," a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, "The Wizard of Oz," superheroes, the Pyramids…These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty--and the hidden strengths--of human beings. In "Get in Trouble," this one-of-a-kind talent expands the boundaries of what short fiction can do.